III. For each tart complaint (“I hate your mom”) or fatalist disclosure (“I’ve been playing dead my whole life”) is a glimmering prophecy that one day things might be just fine, even if that day comes at the very end of civilization. On Have We Met, the Vancouver-based Destroyer maestro slips into another velvet interior, only to find it's a sort of Black Lodge. The pianist and multidisciplinary London artist’s work skirts conventional disciplines, tinkering with the very concepts of “jazz” and “club” music as it synthesizes a substitute. largest wave of civil-rights protests in American history. Rarely has there been an artistic statement this stirring, this staggering, this powerful. Idles - Ultra Mono15. While some vocal lines emulate pulsing bass and celestial synth, the prevailing current is a surging chorus of near-language, struck through with the unmistakable trembles and notches of a human voice. K-SW Discover our Top 10 Albums below, celebrated by numerous special exclusive editions and releases. The 50 Best Albums Of 2020: 50-41 / 40-31 / 30-21 / 20-11 / 10-1 –Peyton Thomas, London-based tenor saxophonist Nubya Garcia made her debut album Source with the goal of exploring her roots: both her heritage as a child of Guyanese and Trinidadian immigrants, and the things that ground her as a person. It goes without saying, every single record in our list is outstanding and it is a privilege to share and shine a light on such exciting music. On this album, Bridgers talks to the deceased, arranging a bouquet of lyrical details to lay on the tomb of a singer whose life was taken long ago. Bullet casings fall to the floor on opener “Nonbinary,” but Arca isn’t under attack: “I do what I wanna do when I wanna do it,” she deadpans, and then proceeds to prove it by remaking herself with each track. The album soars when Megan nods to the greats of rap and R&B, from a jolly rework of Juvenile to the Jazmine Sullivan-indebted bad bitch anthem “Circles.” More than anything, these songs remind us that even when the worst comes to pass, good times might be right around the corner. As 2020 comes to a close, our staff took a step back to honor the songs, albums, and artist discoveries that had the greatest impact on our lives. Somewhere between the abrasion of its searing riffs and melodic incantations, Every Bad is a soul-cleaning album that drenches you in the multifaceted nature of a lyric that evolves when hurled over and over again. A list of the top albums of the year from Uncut. Lauren Laverne reveals the full Top 10 of 6 Music Recommends' Albums Of The Year list for 2020. –Sam Sodomsky, On Eternal Atake, Lil Uzi Vert employs an extraterrestrial concept that should be kitschy—in the album’s trailer, he’s jetted into the cosmos in a saucer the size of a city block by a humanoid cult—but instead lends the LP an intergalactic sheen. –Olivia Horn, Listen/Buy: Rough Trade | Apple Music | Spotify | Tidal, Quality Control / Wolfpack Global / Motown / Capitol, It’s taken time for Lil Baby’s My Turn to grow into the beautiful, sprawling mess that it is. Friday, November 27, 2020 The ultimate guide to the year's best new jazz albums as voted for by Jazzwise's peerless panel of reviewers – including the complete original Jazzwise reviews. –Jia Tolentino, From her early punk recordings alongside sister Allison to her quietly devastating solo albums, Katie Crutchfield is always steadfast in her truth. The droll, phantom-like singer writes music for faithless burnouts who still want to believe: lost souls clinging to astrology and fucked-up intimacy, striving to get by in a brutal universe with no pre-ordained meaning. His deep familiarity with each of those touchstones—he prefaced Live Forever with an EP of National covers—allows him to explode them from within and rethink not just how but if they speak for him. –Madison Bloom, Ka has spent his 40s laboring over how to animate the ghosts of his home. –Marc Hogan, Dua Lipa, Jessie Ware, and Kylie Minogue all sashayed back to the disco podium in 2020, but none captured the paradox of the genre—its hedonism and heartbreak, its pain dunked in prosecco—quite like Róisín Murphy. Yet, despite the gruelling impact of Covid both personally and professionally on so many people, many electronic acts still managed to battle on through as our 2020 Review of the Year feature explored. And in the past decade, the rooms have become markedly more luxurious, with sophisti-pop saxophone, synths, and strings giving new plushness to his formerly sparse songs. –Colin Lodewick, In 2019, Chicago indie rock trio Dehd released the sparse and scrappy album Water, with songs informed by the romantic breakup of bassist Emily Kempf and guitarist Jason Balla, accompanied by Eric McGrady’s one-tom, one-snare minimalism. It's a hard life, fighting to be seenIt's a hard life, we were born to leadOh, be on your wayThings are gonna change, If history is just, the battle cry bong of 2020’s alarm clock will reverberate for decades to come. A workout of sheer musical magnitude and absolutely their best yet. She buoys her bleak lyrics with the bright melodies and buzzing guitars that soundtracked Beavis and Butt-Head’s bickering on MTV in the ’90s. –Jason King, Three songs into Haim’s sharpest album yet, Danielle is behind the wheel in her beloved Los Angeles with a Joni Mitchell classic on the stereo, “screaming every word to ‘Both Sides Now.’” How lost must one feel to shout “I really don’t know life at all” alone in the car first thing in the morning? In the companion short film, he accompanies his thoughts by flipping through hundreds of old photos, adding bittersweet visual cues to the rambling narrative. By now, Drakeo has been released from jail, making GTL a testament to resourcefulness that will hopefully remain an anomaly in his catalog. "THIS IS NOT A LIVE ALBUM – it’s an ALIVE ALBUM" reads the press release. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Equal parts meticulous and haphazard, the self-directed songs pick up on the percussive thread of 2012’s The Idler Wheel… with elemental rhythms formed, in part, by handclaps, floorstomps, and furniture-banging. Buy now on Rough Trade Exclusive galaxy vinylBonus Exclusive: Copycat Killer 12". In 2018 we gave you our nine favourite albums, this year we're feeling generous and letting you have a couple more recommendations. When a slightly unfinished version of Jay Electronica’s Act II appeared this October, it had been a little over a decade after its initial slated release, and most fans had given up hope on it ever actually coming out. Share this article 189 shares share tweet text email link FTW Staff. Buy now Bonus Exclusive: Offcuts 12" splatter vinyl. But Sawayama is not only a love letter to the pop music Rina (and I) grew up hearing on promo CDs that came with Smash Hits Magazine, it is an anxious exploration into her own multi-cultural identity, and the technicoloured and composite nature of our own personalities. Beneath the atomic power is fragility, and most importantly humanity. –Alphonse Pierre. Look, Pramuk seems to declare, at how much we contain. 1: Hey Colossus - Dances/Curses; 2: The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase? A band who inspire, promote and radiate inclusivity, Dream Wife's undeniable friendship and dynamic creative output is about as infectious as it gets. With this intimate hospice of a record, Allison gave us both. Fetch the Bolt Cutters is the sound of someone freeing themself from a mental prison built by others but unknowingly reinforced by the self. –Evan Minsker, Grimes embodies the unhuman on Miss Anthropocene. It lies at the intersection of beats and ambience, where sounds are just vibrations entering and leaving the body, cleansing it of toxins. Punisher hears Phoebe Bridgers sculpting a night terror into a daydream. He isn’t pining for the good old days; he is reacclimating himself in the present, poking holes in the very idea of nostalgia and showing how memories live on. Twirling in the fog of producer DJ Parrot’s near-industrial spin on 12” disco, Murphy lets us into her wildest dreams and wrongest desires (“Ten lovers in my bed / But I want something more,” she sings on “Something More”). These are tracks with expressive, textured sounds. “Why doesn’t it feel the same when I’m in the air?” she murmurs on “In the Mirror.” “My life is in a weird place,” she raps in Korean on “Free Interlude.” But she finds clarity, and joy, in examining it nonetheless. As ever with late-period Dylan albums, death lurks in every corner: as a prompt for bloody, Frankenstein-ish experiments in “My Own Version of You,” a red river to be traversed in “Crossing the Rubicon,” a body who shares his bed in “I Contain Multitudes,” a nameless rival in “Black Rider.” The gravity of Dylan’s voice and the clarity of his vision allow him to address these wraiths as an equal, one with intimate knowledge of the darkness they inhabit. He sounds possessed here, supercharged by something supernatural—even when he’s just shouting a luxury brand’s name into the ether 15 times in a row. Graphic by Drew Litowitz, photos via Getty Images. "Therapy through noise." “I grew up in the shoes they told me I could fill, shoes that were not made for running up that hill/And I need to run up that hill, I need to run up that hill/I will, I will, I will, I will, I will,” she insists on another title track doubling as a renewed mission statement. Check out all of Pitchfork’s 2020 wrap-up coverage here. –Stephen M. Deusner, Listen/Buy: Rough Trade | Apple Music | Bandcamp |  Spotify | Tidal, Recorded in secret in quarantine and unleashed upon the world with less than a day’s warning, folklore was the first Taylor Swift album untethered from the traditional expectations of a blockbuster release. Caribou - Suddenly16. Equal parts retro and fresh, Future Nostalgia is redolent of elements from the 1970s, ’80s, and ’90s, nodding to the work of artists like Blondie, Chic, Kylie Minogue, Nile Rodgers, Prince, Madonna, and Daft Punk. As befits an artist obsessed with being a superhero, Burna Boy’s music is thoroughly posthuman: much of its succulence comes from how the singer’s lilting cadences mesh with Auto-Tune. 2020 hasn’t been an ideal year, but it still produced exemplary new albums, so check out our ranking of the year’s best below. 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